I was and truthfully, still am extremely hesitant about writing this blog post given that social media sites are awash with Bowie articles and tributes after his untimely, recent death and I really don’t want to add to the overblown nature of how the media and music poseurs (who never liked Bowie before but suddenly do now) have been reacting. So I’m going to try to keep this as simple as I can. Wish me luck.
I’m going try to attempt to look at Bowie’s spiritual evolution in a nutshell (a real examination would be worthy of a PhD dissertation), the influence it had on others and then end with how he affected me and the indirect contact I had with him. I know there’s a lot of dirty laundry about him coming out now, but if anything it paints him as an extremely complicated individual and a reminder there really is no such thing as black and white when it comes to individual souls and personalities.
It would seem that from the very beginning, right with the midwife who delivered him, he was acknowledged as an old soul. This doesn’t surprise me in the least. If you look at his earlier work and his obsession with outer space, being an alien and the emphasis on stars, alienation, isolation, being an outsider and of being utterly alone and disassociated from humanity, I think deep down inside he knew he really wasn’t from here either.
First Nation’s people maintain that we originally came from the stars, recent theories on evolution and the origins of life seem to confirm it and I think Bowie knew it too in his heart and tried channeling it through his work. All you need to do is listen (or read the lyrics) to songs like “Starman”, “Life on Mars”, “Space Oddity”, “Ashes to Ashes”, “Moonage Daydream”, watch “The Man Who Fell to Earth” or even when he decided to tackle “Elephant Man” on Broadway. The clues and hints are all there if you look for them.
This very lengthy and thorough essay is probably the best thing you can read on Bowie’s interest in spiritual matters and the occult. It’s all there. Like lots of English rock stars from the hedonistic 1970s, Bowie was obsessed for a while with the works of Aleister Crowley and Dion Fortune and her book “Psychic Self-Defense”, Fortune’s assertion that the Glastonbury area is intimately associated with the Arthurian legends, how he studied Hebrew Kabbalah and the Sephoric Tree of Life (and even inserted a lot of these ideas in his 10th album “Station to Station”).
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